PARIS (AP) — The gears of the luxury industry have continued to change, as the French government unraveled in another episode of political instability on Monday. At the Palace of Jena, 16th arrondissement in Paris, Miuccia Prada’s Miu Miu has provided the unique brand security: as always, as chic as ever Paris Fashion Week.
The opener was calm – a deep blue warehouse apron dress, all covered and accurate. It set the tone of the collection, gammain yet grounded, playful, pragmatism-covered collection. Prada, a pioneering CEO and designer, revealed that. MiuMiu has meant business, not just this season.
Founded in 1993 as Prada’s impolite sister. Miu Miu It is a free and instinctive outlet for Italian designers. If Prada is the cerebrum, Miu Miu is a game and is distorted. Kindergarten classics are humorous with tweaks off-quilter and stiffened humor.
Prada, who studied political science before taking over the family business, has been using a label to investigate femininity codes.
The apron motif has returned many times and has been recast in a sarcastic silhouette that exposes flashes of skin and shines under the shiny buttons. actor Richard E. Grantin Miu Miu’s long tradition of celebrity cameo, we walked out in a black seany leather apron that reads like a strange chef’s uniform. Milla Jovovich continues with the same theme riffs, softened with black ruffles.
Prada frankly surrounded the options. “I would like to use my work to talk about women’s work…the apron is symbolic as a representation of a piece that can express multiple messages,” she said of the show. “The apron is my favorite outfit. It’s about protection and care… it’s a symbol of women’s efforts and difficulties.”
From there, the show shook Gamine. A floral mini dress with a faintly sporty foundation carried the collection towards its finale. The band frill split the bust. Geometric fuselage prints nodded to Vulcan or fork references. This is an echo of eclectic “mishmash” styling that has long defined labels.
Over the seasons, Miu Miu’s strength is its push-pull. Under Things is the logic of outerwear, the school room Polish dating clubs, the intelligence wrapped in wear. Beyond the show’s palace hall, those gears continue to change not only from habits but also from horsepower.
Paris Fashion Week is a luxury engine fueled by a huge supply chain (hotels, drivers, ateliers, retail, etc.), which accounts for more than 3% of France’s gross domestic product. That robust machinery is why aprons or opera courts, shows continue.
